Citizen Dame

We kick off fall festival season with a lineup of major films that had their premieres at festivals past. This week we begin with Ang Lee's seminal queer western Brokeback Mountain (2005). How far we've come (and how far we still have to go).
Next week will be David Fincher's Gone Girl!

This week, the Dames discuss another Hitchcock masterpiece, the 1948 thriller Rope. Starring Farley Granger and John Dall, this single-location technical experiment also marks the first time Alfred Hitchcock worked with star James Stewart.

We continue with our Hitchcock month with one of the more controversial movies in his oeuvre: Vertigo, widely considered to be Hitchcock's masterpiece. But is there really a reason for that? What makes this film stand out? Why does everyone love Vertigo so much—and the most important question...do we?

Welcome back, friends! After a very short break, the Dames return to celebrate the Master, Alfred Hitchcock's 125th birthday with his 1943 film, Shadow of a Doubt. Theresa Wright and Joseph Cotten star in this twisty, suspenseful tale set in California's wine country.

In honor of the great Shelley Duvall, the Dames discuss three films she made with Robert Altman: Nashville (1975), 3 Women (1977), and Popeye (1980). We maybe didn't know exactly what some of these meant, but man were they fascinating!
Our Criterion giveaway is still running, so let us know what one Criterion disc you would love to own! We'll pick a winner on July 25!

Hello, again! This week the Dames are celebrating Criterion with something extra fun: cinematic blindspots. Our chat includes a look at Targets (1968), Thelma and Louise (1991), and Smiles of a Summer Night (1955).

We're back with a second part of our ongoing series "Karen Loves Tom Cruise (and Lauren Thinks He's Neat)"! This time, we're chatting about three very different thrillers from three very different directors, all starring Mr. Cruise: A Few Good Men (1992), Minority Report (2002), and Collateral (2004). How many of these should Tom have won an Oscar for? The answer may surprise you.
Next week, we'll be chatting about some Criterion Channel films that one or both of us have overlooked: Smiles of a Summer Night (1955), Targets (1968), and Thelma and Louise (1991).

The Dames wrap up Pride Month with a look at three great films about lesbians. First, it's the very sexy Bound (1996) from the Wachowskis. Then we chat about Rafiki, Wanuri Kahiu's 2018 coming-of-age story that was banned in her home country of Kenya. And finally, Rose Glass's newest film, Love Lies Bleeding (2024), starring Kristen Stewart and Katy O'Brian.

As Pride Month continues, the Dames go into the career of Rock Hudson, one of the most famous closeted actors of classic Hollywood. In this episode, we focus on three of Hudson's melodramas with Douglas Sirk, and how Hudson's star persona and undercurrents of queerness inform the films: Magnificent Obsession (1954), All that Heaven Allows (1955), and Written on the Wind (1956).
Next week, we'll be chatting about lesbian films: Bound, Rafiki, and Love Lies Bleeding.  

It's Pride Month and this week we are talking about a pair of essential documentaries. With 1990's Paris Is Burning, director Jennie Livingston spent 7 years examining the drag scene in New York in the 1980s, leading to a groundbreaking film that is still discussed today. And in 2020, director Sam Feder brought Disclosure to Netflix, chronicling the experience of trans filmmakers and actors in today's Hollywood.

The Dames go in-depth on Alfred Hitchcock's masterpiece, Psycho. Spoilers abound, with discussions of the film's performances, twists and turns, how Hitchcock connects emotionally with his audience, and why the sequels and prequel fail to live up to the original!

This week, the Dames pay tribute to Roger Corman, who passed away May 9, 2024 at the age of 98. We share our thoughts about the prolific director and producer, and then dive into three of his films: A Bucket of Blood (1959), Premature Burial (1962), and The Masque of the Red Death (1964).

The Dames are back this week to talk more about summer blockbusters and super American films from a super American actor: Harrison Ford. Topics include the grumpy-man love story of The Fugitive (1993), presidents punching terrorists in Air Force One (1997), and haunted happenings in What Lies Beneath (2000).

It's summer blockbuster season and what better way to kick things off than with an episode all about Steven Spielberg! This week, we're talking Jaws (1975), E.T. The Extra-Terrestrial (1982) and Jurassic Park (1993).
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The Dames finally cover the film that gave us our name as we discuss some incredibly essential films from the Criterion Collection (and why they're so important): Citizen Kane (1941), Seven Samurai (1954), and The Graduate (1967).
So...what do you think about the significance of Rosebud?

This week the Dames are celebrating 4/20 with a lively chat about three very different movies with one important thing in common. From 1998, we talk the Coen brothers' The Big Lebowski and Terry Gilliam's Fear & Loathing in Las Vegas. And then we wrap things up with Phil Lord and Christopher Miller's 2014 surprisingly successful sequel 22 Jump Street.

The Dames chat about the directorial work of the very underrated Penny Marshall, focusing on Jumpin' Jack Flash, Big, and A League of Their Own. Just remember: there's no crying in baseball (except there is).

This week, the Dames are going to work with three great comedies about women in the workplace. Katharine Hepburn and Spencer Tracy star in Desk Set (1957); Jane Fonda, Lily Tomlin and Dolly Parton team up against their terrible boss in 9 to 5 (1980); and Melanie Griffith squares off against Sigourney Weaver in Working Girl (1988).

The Dames welcome guest Nannina Gilder to talk about the films of Kinuyo Tanaka, a director who carved out a space for herself in Japan's male-dominated film industry with feminist masterworks such as Love Letter, The Moon Has Risen, and Girls of the Night.

This week, the Dames talk about the career of six-time Academy Award nominee Thelma Ritter. And we dive into three of her great performances: All About Eve (1950), Birdman of Alcatraz (1962), and Rear Window (1954).